“Titus Andronicus is a bloody triumph” – City Arts
“Gruesomely hysterical” – Broadway World
“a ridiculous story of drama and revenge with just the right amount of fun” – UW Daily
“Shakespeare meets Tarantino in Seattle Shakes’ Titus Andronicus” – Seattle Times
“Titus Andronicus is generally considered to be the Bard’s goriest play, and Seattle Shakespeare’s production of the revenge tale gleefully embraces its brutality with hacked-off appendages, bowls full of entrails and enough spurting blood to make front-row patrons wish a splash guard had been installed.” – Seattle Times
“Wonderful performances” – Broadway World
“This production’s great strength is the manner in which it’s played tongue-in-cheek with a slap stick verve.” – Arts Stage Seattle Rage
“This rare, timely, and well-mounted production is worth seeing” – afewdaysaway.com
“surprisingly easy to follow” – City Arts
“Mount’s brilliant buffoonery” – City Arts
“Ian Bond and Christopher Morson were exceptional. They are simply great.” – afewdaysaway.com
“Titus Andronicus is hands-down a bloody fun time” – UW Daily
“Duncan gives a strongly commendable, albeit chilling performance as Lavinia” – City Arts
“It’s not the latest Tarantino film, but it might as well be” – Broadway World
“Something you have to see to believe” – UW Daily
“Kamara gives a nuanced performance, a constant flow of ferocity just under the surface” – City Arts
“The morbidity of the show becomes almost comical in the vein of groaning and cringing in a horror show.” – Broadway World
“Poised absurdity” – UW Daily
“A horror story of enormous proportions that amuses rather than terrifies.” – Arts Stage Seattle Rage
